Melon – Life On Ship (1),
2025
Oribe
Lightly reduced stoneware
with feldspathic
and hagi
sand inclusions,
copper saturate glaze,
post-firing acid soak
42 × 62 × 33 cm
Intarsia – shut, 2025
Hinterglasmalerei
(reverse-painted glass)
Acrylic and precious
metal on glass,
blackened steel
fixtures
45 x 60 cm
Tray with Clouds, 2025
Sang de boeuf Oribe
Reduced stoneware
with feldspathic
and hagi
sand inclusions,
copper saturate glaze,
pine needle ash,
post-firing acid soak
33 x 54 x 39 cm
Intarsia – view, 2025
Hinterglasmalerei
(reverse-painted glass)
Acrylic on glass,
blackened steel fixtures
50 × 70 cm
Abilità Negativa 3, 2025
Oribe
Lightly reduced stoneware
with feldspathic
and hagi sand
inclusions, copper
saturate glaze,
pine needle ash,
post-firing acid soak
35 x 59 x 32 cm
Pig, tulip, pig, tulip, pig, tulip, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic and precious metal
on glass, blackened
steel fixtures
50 × 30 cm
Tray with Head, 2025
Reduced English stoneware
with iron and feldspathic
inclusions, reconstructed
song ‘tianmu’
and polychrome glazes
23 x 53 x 34 cm
Worm Organ Painting, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic on glass
with gelatin
silver print,
blackened steel fixtures
45.5 x 61.5 cm
Bamboo Organ Painting, 2025
Hinterglasmalerei
(reverse-painted glass)
Acrylic on glass with
gelatin silver print,
steel fixtures
50 × 70 cm
Intarsia – Whitefly, 2025
Hinterglasmalerei
(reverse-painted glass)
Acrylic and precious metal
on glass, blackened
steel fixtures
50 x 30 cm
Untitled
anagama natural ash
French and English bodies, crude kaolin, decomposed granite
Yohen, bidoro,
tombo-no-me
44 x 35x 24 cm
2023
Snail
anagama natural ash
English bodies,
decomposed granite,
inclusions, lacquer repair
Yohen, bidoro,
kani-no-me
18 x 13 x 6cm
2021
Flower basket 2
2023
Anagama natural ash, English and French bodies, local slip, decomposed feldspar, crude kaolin, inclusions
dimensions: 51w x 42h x 34dcm
Flower basket 1
2023
Ceramic, anagama natural ash, shigaraki-style inclusion bodies and porcelain, yohen, kani-no-me
35 x 26 x 17
Exhibition design
By Aaron Angell
for
'Fausto Melotti: Theatre'
Hauser & Wirth,
Savile Row
London
2021/22
Exhibition design
By Aaron Angell
for
'Fausto Melotti: Theatre'
Hauser & Wirth,
Savile Row
London
2021/22
Caterpillar engine #7
Anagama natural ash. /br/
Iron ‘Shigaraki’ body &
limoges porcelain.
Bidoro, yohen,
kani-no-me
33 x 24 x 26 cm
2021
Installation view of
Aaron Angell &
Steven Claydon
'Hornet, hailstone,
crab eye, aerodrome....'
at
The Holburne Museum,
Bath,
2021/22
Pie #2
anagama natural ash
Yohen, bidoro,
tombo-no-me
28 x 15x 24 cm
2021
Green organ
hinterglasmalerei
acrylic on glass
2018
50x30cm
Caterpillar Engine
reduced stoneware
shino and ash glazes
2018
57x28x30cm
Caterpillar engine 8
Inclusion body and iron slip.
Anagama natural ash.
Yohen, bidoro
25 x 13 x 22 cm
2021
Pie #1
reduced puisaye stoneware
with titanium slips,
oni-shino, and pine ash
glazes
2020
53X42X44cm
Heat-Haze Theatre/
Hitzeflimmern Theater
Installation view
Kunstverein Freiburg
2018
Castle with stapelia flowers
reduced puisaye stoneware
with titanium slip,
pine ash and
carbon-trap shino glazes
2020
55x44x53cm
Aaron Angell
Installation view
Gallery of Modern Art
Glasgow, 2017/18
Crane
reduced stoneware
American shino glaze
2017
18x16x12cm
A large wardian case
Andrew Brown
1850s
Restored and replanted
GoMA
2017
That Continuous Thing:
Artists & The Ceramic Studio
1920-Today
Installation view
Tate St. Ives
2017
Curator
Chimney charger
Reduced stoneware
iron and shino glazes
40x40x40cm
Poliorcetica
(labrador & tortoise)
oil pastel on paper
2017
150x110cm framed
Grotwork
Installation view
Studio Voltaire
2015
Villa mattress demonstration
pig blood cement, vinyl,
wasps
2017
300x300x100cm
Aaron Angell
Installation view
GoMA
Glasgow
2017